Tag Archives: show

2013-12-14 21.33.01

Not So Silent Night 2013

2013-12-14 21.33.01It’s that time of the year!  2013 is ending with a bang here at Calvary.  Lots of big events leading up to Christmas!

One of these December events is Oceans Edge School of Worship’s Not So Silent Night.  This is their annual Christmas concert and it’s the first big concert of the school year.  It’s the students time to apply what they have learned so far and push themselves.

For us on staff it’s a chance to try and do some new and cool things on the tech side.  We pretty much get free reign with all the toys we have at our disposal, ha ha.  This year I got to try something I’ve been wanting to try for a long time, using a projector as a moving light.

We happened to have a spare projector that’s pretty bright, 17,000 lumens!  We positioned this upstage and shot it forward over the stage and over most of the audience.  With lots of haze in the air the results were some pretty awesome beams that were very laser like if we wanted that effect.

Since it was a projector (and not a gobo in a light) we could put out any content we wanted.  Anything white on a black background looked like nice sharp beams cutting through the air.  The results were really cool and couldn’t be done with a moving light or even a laser.  It also allowed us to project words that were actually readable in the air which was really cool.

The projector provided some very high tech kinda looks.  To contrast that we used a lot more conventionals than we normally do.  We had a flown row and a ground based row of pars which we used as audience blinders.  We also had 10 lekos with gobos spread throughout the room to put out some nice, warm, beams.

Between the usual intelligents we have, the projector, and all the additional conventional lights we had lots of options.  I like to try and create variety to keep things from getting repetitive.  Even if something is only used on one song I think it’s worth the effort.

We also had fun with other effects.  Lots of haze (of course), plus low lying fog from a pair of Martin Glaciators, and confetti cannons.  Our rigging system had a lot of cues, bringing lights up and down for different looks.  Plus some different flown backdrop elements that the students created which flew in and out.

Another cool element was some “screens” made out of recycled pallet wood.  This gave a stylized look to all of the projections.  Not everything looked great on it with the texture but once we found the right content it was a cool look.  We purposely left some gaps between the panels so that a light could be put behind the screens and shine through.  this create beams through the cracks and gave us more options.

Once again we made Ableton Live our master control for all click, loop, ProPresenter lyrics, lighting, and projection.  One machine ran Ableton, another ran the two side screens with ProPresenter, a third computer ran Qlab for the stage projection that faced the audience, lastly out ETC Ion controlled lights.

A combination of MIDI notes and MIDI show control was used for all of these commands.  Some devices were hardwired and some were sent commands over our WiFi network using Apple’s built in MIDI over Ethernet.  An iPad with Qlab’s remote app was our backup control for the projector on stage.  Everything worked great!

This seems like a lot of extra work but in the end it’s actually less work.  Start one machine and several follow in perfect harmony.  It also let us hit cues that just aren’t practical when everything is human controlled.  We had lots of hits on specific notes that were hit perfectly every time with this system.

We had two sold out nights in our theatre and it was a lot of work but a lot of fun.  Now it’s time to get ready for our main Christmas outreach service in the BB&T center!  Load in starts tomorrow, I’ll be sure and post some info on that as well!

Check out Oceans Edge’s Instagram for some more pictures.  I’ll post some more pictures and videos as soon as I can.

Screen Shot 2013-06-09 at 5.50.26 PM

The Show 2013 Lighting Setup

Screen Shot 2013-06-09 at 5.50.26 PMHey everyone, I just wanted to share a little more from The Show 2013.  This year we had lots of lighting elements working together to help give us some variety.  For those moments when we really wanted a big look we had plenty of fixtures to get the job done!

In this video is just a brief overview of the setup and a couple of clips from The Show.  Over the next week or so I’ll post up some more pictures and videos from this awesome event.

Screen Shot 2013-06-09 at 5.50.26 PM

The Show 2013 Ableton Live Show Control

Screen Shot 2013-06-09 at 5.50.26 PMI can’t believe we just got done with The Show 2013, just doesn’t seem like another year has passed!  Will Doggett from LoopsInWorship.com and myself put together a video showing how we controlled everything for The Show.

Once again everything centered around Ableton Live and it worked great!  All 3 nights went very well considering the hundreds of cues that were happening.  Check it out!

Oceans Edge School Of Worship Drum Feature

Screen shot 2013-02-22 at 12.23.30 PMDuring last year’s The Show we had a lot of fun putting together a pretty cool drum feature.  Just a fun break from the norm during the show.  Lots of drums, lots of lights, what’s not to like!?

I had a lot to do with the lighting.  Light Converse really allowed us to try out ideas before loading into the room.  We also did the bulk of our programming virtually.

We video taped it and some very creative people put together this video, check it out!

Screen shot 2013-02-14 at 11.48.43 AM

Super Bowl Lighting Director’s Thoughts

Personally I thought that the recent Super Bowl had a great lighting show and was well done overall.  While I think that Beyonce did a good job for a pop artist, I find myself watching the technical side of things more than anything else.  What displays are they using?  What lights are those?  That was a great idea, that wasn’t, ha ha.

I know that they used Green Hippo media servers to power the two video displays built into the stage.  I also know that they had two rows of 80 Clay Paky Sharpys (160 total!).  This allowed very simple movement macros to look amazing!

Video content was very good and very creative.  At one point thanks to clever camera angles and good content you really thought there were more real people on stage than there really was, pretty cool.  Overall I thought it was entertaining and unlike a lot of other high profile lives events lately, I didn’t spot or hear any huge errors.  That’s always nice.

A friend of mine sent me a link to an article interviewing the LD for the last three Super Bowls and other high profile events.  I always like to know what other people’s thought process is and how they work.  There’s almost always at least one little tip or trick you can learn from.  Worth checking out!

Screen shot 2012-12-16 at 5.56.45 PM

Ableton Live Controlling Lighting, Video, and Lyrics

Hey guys, we just got done with a week of rehearsals and shows for Oceans Edge’s Not So Silent Night.  Everything went great!  In this show we tried out some new ideas that we haven’t done in a show yet.  The biggest one being some pretty heavy automation thanks to Ableton Live and MIDI.

We ended up with Ableton Live sending out MIDI commands to our lighting console for lighting cues.  To another machine running ProVideoPlayer for videos on our stage screen.  Then to yet another machine with ProPresenter for lyrics which was a master for two other machines running ProPresenter in slave mode connected to our side screens.  We didn’t have video cabling to those areas so we wirelessly connected to them.

In the end Ableton Live on one machine was triggering a grand total of five other machines running different programs and performing different tasks.  All through MIDI and MIDI Show Control.  Pretty cool stuff!  This allowed us to have the precision of automated cues but unlike timecode we could easily change the order of cues, repeat cues, skip cues, change the tempo, all things that timecode is too rigid to do well and simply.

This involved some testing and extra work on the front end but resulted in a better show that was very easy to run.  We only ended up with about 100 lighting cues, about 5-10 were manually triggered.  If Ableton Live wasn’t triggering most of the lighting it would have been at least 175-200 cues.  This is because we used Ableton Live to repeat cues (for easier programming) and trigger presets saved to our submasters that could then be triggered as individual lighting cues or looks.

Just like you can hit the bump buttons to make the submasters go Ableton Live can do the same thing through MIDI Show Control commands.  So one song that would have been 50-100 cues was simply 23 presets triggered remotely in different arrangements.  This even allowed us to divide up the programming between several people.  I was able to focus on lighting looks and programming the lighting console while other people carefully placed cues into Ableton Live to trigger the lights.

Connectivity was pretty simple as well.  In fact only the lighting console itself had a physical MIDI cable plugged into it.  The rest of the machines received MIDI commands over the network using Apple’s Audio MIDI setup that’s built into the OS.  We have used this a lot and it has proved to be very reliable provided that you have a good network connection and not a lot of network congestion.  We created our our network just for these machines in order to make sure everything worked as fast as possible.  Everything in the lighting booth was hard wired together and the two remote machines connected over the wireless N WifI network.  This worked very well.

My buddy WIll Doggett and I put together this short video where he walks through the setup.  Ignore the messy lighting booth, ha ha.

Screen shot 2012-10-27 at 12.12.53 AM

Ableton Live Lighting Control

So today we got some time to experiment with Ableton Live controlling our lighting console.  Basically the goal was to find a way to have Ableton control the lighting cues and trigger everything.  This way we have everything in sync and it’s all automated.

Today was time well spent.  We figured out all kinds of cool stuff that has really opened the doors wide open to all sorts of possibilities.  Basically we can now have Ableton be the center of control for the entire show, lights, media servers, lyrics, anything that can see MIDI!

The best part is that since it’s through Ableton we can still have the creative freedom to change tempos or repeat sections and everything will follow along.  So everything can be programmed but we can still be flexible, pretty rad!  This is a lot better than the other way around where Ableton chases another source and the performer can’t change anything on the fly.  Locked into a timecode that can’t speed up, slow down, or jump around.

For now here are just a couple of teaser videos.  Ableton was on one laptop outputting MIDI commands to our ETC ION console.  The the ION was outputting DMX over ARTnet to another laptop running Light Converse visualization software.  We’ll make another video explaining things in more detail at some point.  For now this shows a couple of lighting looks mapped to MIDI notes that could be played live or played from the timeline.  You can just imagine where this could lead with some more time to plan out looks!